The journey on the Danube is marked by conflict and dig in it always come to the conclusion that is

Yesterday I read an interview motorboat with Gao Xingjian, Nobel Prize for Literature in 2000. Among other things spoke of the stupidity of the human being and the ability to have poisoned ideologies. The author thinks that human nature evil that inhabits the role of art and literature is to awaken consciences. I struck motorboat a phrase that says "it is essential motorboat to know the human condition, namely that an executioner is not the devil, is a human being.". I think the film was inevitable Berlanga. Which gives life to literature and art is their ability, regardless of the author's abstract of ideologies and identities. Only thus is able to awaken consciences clean and ready to put aside the tendency to classify, in black and white.
For days I have at home "Danube" by Claudio Magris. The journey along the great European river also forms the plot and structure. The author makes the journey from the birth of German lands in the river to its mouth on the Black Sea in Romania. The vast literary culture of the author creates a meta network where it is sometimes cumbersome journey. However, never abandon yourself to the feeling of being in the middle of a big project.
The journey on the Danube is marked by conflict and dig in it always come to the conclusion that is based on the nonsense in the innate stupidity of peoples and individuals, the obsession with the pursuit of power. Mahon Gaddafi, Stalin, motorboat Hitler .... not the most edificadora examples of people motorboat happy. So why this obsession with power? Maybe Gao Xingjian was right because everything is part of human stupidity. Gaining awareness is the only way to overcome this obstacle so important. The art, the practice of true spirituality, especially a self-imposed restraint on the way to live and I think we could help overcome it. From this vantage point of consciousness seem ridiculous to many human actions.
One of the big surprises of the book of Magris is Grandma Anka. This character, as all that is created, vacillates between reality and fiction. She is a woman of eighty years that accompanies the narrator in a section of the journey. The tentacles that unite and separate the different ethnic groups that inhabited the territory in recent centuries have made both near and distant conflict. From its meeting motorboat in Bela Crkva the Romanian Banat, the river no longer who mark the passage: "But I am here with Grandma Anka, who personally decides what comes sooner or later, with the quiet certainty who lives sure of himself and needs no systematic order. "Grandma Anka is Romanian, Serbian, and it suaba" that speaks all languages, nationalities motorboat and s'envesteixen overlap "and ideologies" .. .l'àvia Anka can not see Tito nor communism ....... but love for order and make your feeling Slavic appreciate the Soviet Union, so it looks with contempt America and Reagan ... ". Could play numerous anecdotes and jokes as the narrator mentions that the figure of the character motorboat becomes larger. Not just because he has been married and widowed motorboat four times, which reminds women of Bath Canterbury Tales, but also because it puts human experience ahead of books. This character Magris holds all prejudices but exceeds a force that is vital and should be a source of inspiration for artwork authentic. In the words of Magris "... conflict in Grandma Anka are totally impersonal; recognizes the right of every prejudice or rather the necessity of the prejudices of others. "It would be interesting to put into daily practice all that they do.
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